Sunday, December 11, 2005

Shawshank Sunday IV: Jake's Anthro

Brooks Hatlen was an important part of the redemption story of Andy Dufresne. Brooks was, in many ways, Andy's antithesis. Brooks provided for us the contrast of what is was like to lose hope. It has been said that Brooks' crow, Jake, was meant to provide symbolism and possibly even link Hatlen to "the Birdman of Alcatraz." If one only watched the movie, and did not read the book, a deeper sort of symbolism would largely be lost on them.

When Brooks receives his parole, and tries to find a way to stay at Shawshank by threatening to kill Heywood, readers of Rita Hayworth and the Shawshank Redemption will have noted the departure from the King novella. A further departure from the source is found in the part that Jake plays in this movie.

While in the novella, Brooks finds the baby crow, nurses it back to health, releases it, and we find out what happened to Jake...this does not happen in the movie.

In both movie and novella, Jake could serve as an obvious symbol of freedom after captivity. But the consequence of captivity upon Jake can only be inferred from the book form of the story. In the book, Jake is found within the prison yard after his release...dead.

This is a realistic depiction of what would likely happen to a bird which was hand-fed and raised with no knowledge of predators or how to find food. It is also a realistic depiction of what happens to men who are institutionalized to the point that they do not know how to handle freedom. Prison can take away the ability to make a decision, to independently choose action without supervision or assistance.

The role that Brooks plays, as Andy's antithesis, is to show a man who lost his hope. Brooks does not believe that it can get better for him, and is "tired of being afraid".

Where Andy is the hero and Brooks his antithesis, Red's part falls between these two characters. Red will choose whether or not to hope, whether or not to go on after his institutionalization. But his choice is inextricably linked to our hero and to Brooks. The impact of both men is apparent in Red. Those familiar with the story know that Red chooses to hope largely due to a promise made to Andy--to go find the rock that he promised Andy he would find.

Red is almost the personification of Jake, but he "belongs to" Andy while Jake belonged to Brooks. While Brooks failed to instill the values Jake needed to survive before releasing him, Andy infused his own strength, character, and hope into Red. Just as what we nurture becomes dependent on us, Red came to a place where he realized the truth of Andy's words, and he needed to see his friend:
Red: I don't think you ought to be doing this to yourself, Andy. This is just shitty pipedreams. I mean, Mexico is way the hell down there and you're in here, and that's the way it is.

Andy
: Yeah, right. That's the way it is. It's down there and I'm in here. I guess it comes down to a simple choice, really. Get busy livin' or get busy dyin'...Promise me, Red. If you ever get out, find that spot. In the base of that wall, you'll find a rock that has no earthly business in a Maine hayfield. A piece of black, volcanic glass. There's something buried under it I want you to have.

Red
: [after Andy's escape and his own parole] All I do anymore is think of ways to break my parole so maybe they'd send me back. Terrible thing to live in fear. Brooks Hatlen knew it. Knew it all too well. All I want is to be back where things make sense. Where I won't have to be afraid all the time. Only one thing stops me. A promise I made to Andy...
Get busy livin', or get busy dyin'. That's god-damn right.
Red was able to choose to live because Andy gave him something that allowed it--hope.

Jake died because Brooks, codependent, made Jake just like himself--without the ability to make it on his own.

In that way, Red is like Andy's Jake. And when Andy released Red, he flew away free and lived.
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